2 Oct 2013 09:42:40 AM
All serious music aficionados know the true-life origins of Cameron Crowe’s 2000 movie Almost Famous: Like the young protagonist of the movie, Crowe worked for Rolling Stone magazine, spending three weeks on the road with the Allman Brothers Band at the age of 18.
The ongoing theme of Almost Famous has to do with the loss of focus and objectivity 15-year old music journalist William Miller experiences when he gets up close and personal with fictional rock band Stillwater.
“Just make us look cool” the band tells Miller as they attempt to coerce favorable coverage that will further enhance their music career. This raises the question of personal bias in journalism — in our case, what happens when MMA reporters get too close to their subjects?
The first time I met Georges St-Pierre at the Tristar Gym in 2008, I was so in awe of his stature as a champion that I overlooked red flags concerning his management. I wrote a good story — a 2,000-word profile for a Canadian men’s magazine about his arc from bullied schoolboy to UFC champion. While I may have even elicited several good quotes about his childhood and time working as a garbage man, there were many grisly details that lay beneath the surface that I would discover in the coming years.
It’s easy for media members to project themselves onto MMA fighters. It starts with a delusion (“I could be him!”) and escalates into other false premises (“I am special, too!”). Numerous reporters have courted love affairs with fighters — both figurative and literal — and astute fans can spot the signs of favoritism from miles away: reporters using their platform to name-drop, rationalize a fighter’s flaws, or minimize criticism of said fighter.Read More DIGG THIS