(Chicks. Pro fighters. Bar. Fighting. Sweet)
By Elias Cepeda
Last night’s episode of The Ultimate Fighter 18 kicked off with some delicious fatness as Coach Miesha Tate delivers treats to last week’s fighters. Her BFF Julianna Pena gets a milk shake and, remembering that she told her how much she loves cake, Miesha brings Team Rousey’s Shayna Baszler some chocolate cake.
Miesha keeps it classy and magnanimous, boys and girls. Though she doesn’t look too happy when Shayna, her former roommate, tells her that Ronda Rousey has won her over a bit.
Julianna doesn’t seem to be making many friends in the house. The underdog won big last week and helped her team, but almost everyone interviewed seems to say that she annoys them.
Maybe it’s the fake British accent she’s adopted and refuses to drop. This week, Julianna’s teammate Chris Holdsworth is taking on Chris Beal, who was chosen by Tate to fight next because he has an injured hand.
Ronda is still furious at the pussy-ass bullshit move and insists that Beal will beat Holdsworth with one hand. Before that can happen, however, Cody meets with Coach Tate and her mascot/assistant coach/boyfriend/manager/suitcase pimp/fellow UFC bantamweight Bryan Caraway to tell them that he believes there’s a mole on their team.
He thinks that it is Julianna. Bryan seems to agree.
Apparently Team Rousey’s Jessamyn Duke guessed all the matchups that Team Tate had laid out as their number one choices. Of course, this means that Julianna, who is friends with Tate and trains with her, told Team Rousey the plan.
Why? Well, she’s already fought so she doesn’t care about what happens to the rest of the team, according to Cody.
When he confronts Julianna with the accusation, which he somehow says isn’t an accusation, she denies it but when others pile on, she suggests that perhaps Roxanne Modafferi, who rooms with Team Rousey ladies, shared the top secret info.
Roxanne flatly denies it and her team jumps to her aid, one of them calling her “a fucking Samurai” who would never stoop so low.
The Part Where We Learn Chris Holdsworth is a Smooth Operator