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Tag: Stemm

10 Songs the UFC Should Consider Replacing “Face the Pain” With

With the faint, reverbed trickle of a few downtuned guitar strings, the UFC announces its entrance into our homes nearly every Saturday. Unfortunately, the UFC is a bit of an unkempt houseguest, which is why it then proceeds to blast our ears out with the broiest bro rock anthem of them all, STEMM’s “Face the Pain.”

“Time to end this suffering!” shouts former STEMM vocalist Louis Penque, the irony being that for the next three or so minutes, our suffering has only just begun. “I need a minute to myself!” shouts anyone forced with the prospect of hearing this song to completion, “So I can slip away!”

Let’s face it, the UFC’s musical taste is as dated as it is laughably stereotypical. If you don’t believe me, just check out the lineup they booked for their 4th of July International Fight Week, or their current cross-promotion with Linkin Park. Linkin Park! In 2014! Crazy pills! I feel like I’m taking them!

The UFC has been blasting “Face the Pain” since August of 2002 and have all but refused to update their horrendous theme song in the face of harsh fan criticism. That being the case, we’ve decided to make a few suggestions for them…

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CagePotato Roundtable #30: If You Took an MMA Fight, What Song Would You Walk Out To?


(Respect the legend.)

It’s safe to assume that most of you reading this have at least entertained the notion of taking an MMA fight. If you have, you’ve probably also given some thought as to the song that you would want playing as you made your walk to the cage. In today’s CagePotato Roundtable, we’re sharing our staff picks for the songs that we would use as entrance music — songs that get us fired up and would (hopefully) enhance the experience that is watching live MMA for those in attendance. Read on for our picks, and please continue to send your best ideas for future CagePotato Roundtable topics to tips@cagepotato.com.

Jared Jones

There aren’t many scenarios in which suddenly being thrown into an MMA fight would not end in a violent, just pitiful death for me. That being the case, I’d want my entrance song to reflect my acceptance of this fate, while also being something that transcends all musical genres and really, all of humanity. What can I say? I’m a simple guy. I would want my entrance song to tell the attending audience that, contrary to the urine stain on my shorts, I do not fear death and in fact am fully prepared to torture my opponent’s body so that his soul will be humble. For God is the teacher, I am his instrument, and his lessons are so…beautiful… (*smears pig blood on chest*)

Only one song meets all of the above criteria: “The Host of Seraphim” by Dead Can Dance.

You’re probably familiar with Dead Can Dance even if you don’t think you are. Aside from the fact that their haunting, neo-classical world tunes have been featured in countless films (“Seraphim”, for instance, was featured in The Mist), Lisa Gerrard — who along with Brendan Perry makes up DCD — is a singer, composer, and musician whose voice has appeared on such iconic film soundtracks as Gladiator, Man on Fire, and Black Hawk Down. But for those of you who might not be familiar with the greatest musical group to come out of Australia in ever, I’d recommend that you check out their impressive catalog of work, which spans over 20 years and eight studio albums. A few of my favorite tracks: “Rakim,” “Ulysses,” “Sanvean” and “Spirit.”

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So Why Exactly Did That Nu Metal-Lite New UFC Intro Cost Anderson Silva Money to Make?


(Video courtesy of DailyMotion/JMMANow)

You know an intro is questionable at best when it has fans clamouring for more Stemm and a metrosexual gladiator.

Saturday night the UFC debuted its new “Evolution” video montage that will kick off every pay-per-view event for the unforeseeable future, or at least until fans bitch and moan enough that Dana White gets sick of hearing them and gives in and changes it. The concept was good, but superimposing classic UFC moments over top of an industrial CGI set made it look like the outtakes from a dime-a-dozen video game.

Fans have been split on whether or not they like the “upgrade,” but the ones who seem okay with it are the ones who never really cared one way or the other.

Dana revealed last week that the intro cost an obscene amount of money to make, but unfortunately the piece of avant-garde visual “art” ended up looking like a hot mess, rather than a Jackson Pollock. Money well spent.

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