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Tag: walkout music

CagePotato Roundtable #30: If You Took an MMA Fight, What Song Would You Walk Out To?


(Respect the legend.)

It’s safe to assume that most of you reading this have at least entertained the notion of taking an MMA fight. If you have, you’ve probably also given some thought as to the song that you would want playing as you made your walk to the cage. In today’s CagePotato Roundtable, we’re sharing our staff picks for the songs that we would use as entrance music — songs that get us fired up and would (hopefully) enhance the experience that is watching live MMA for those in attendance. Read on for our picks, and please continue to send your best ideas for future CagePotato Roundtable topics to tips@cagepotato.com.

Jared Jones

There aren’t many scenarios in which suddenly being thrown into an MMA fight would not end in a violent, just pitiful death for me. That being the case, I’d want my entrance song to reflect my acceptance of this fate, while also being something that transcends all musical genres and really, all of humanity. What can I say? I’m a simple guy. I would want my entrance song to tell the attending audience that, contrary to the urine stain on my shorts, I do not fear death and in fact am fully prepared to torture my opponent’s body so that his soul will be humble. For God is the teacher, I am his instrument, and his lessons are so…beautiful… (*smears pig blood on chest*)

Only one song meets all of the above criteria: “The Host of Seraphim” by Dead Can Dance.

You’re probably familiar with Dead Can Dance even if you don’t think you are. Aside from the fact that their haunting, neo-classical world tunes have been featured in countless films (“Seraphim”, for instance, was featured in The Mist), Lisa Gerrard — who along with Brendan Perry makes up DCD — is a singer, composer, and musician whose voice has appeared on such iconic film soundtracks as Gladiator, Man on Fire, and Black Hawk Down. But for those of you who might not be familiar with the greatest musical group to come out of Australia in ever, I’d recommend that you check out their impressive catalog of work, which spans over 20 years and eight studio albums. A few of my favorite tracks: “Rakim,” “Ulysses,” “Sanvean” and “Spirit.”

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